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by Richie Williams
“We jam.” That’s what the ‘About’ section on Spafford‘s website says. Plain and
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by Richie Williams
Due to Hurricane Irma, this show was rescheduled from September 7 to December 14. The Fritz returned to The Social in
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by Sarah Schumaker
It’s the year 2060 and our Galaxy is doomed. We have one hope and they’re set on bravely exploring every edge of the
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by Dainon Moody
When news of Tom Petty’s death hit late last year, it was one of the more unwelcome surprises of 2017. And whatever level of
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by Sarah Schumaker
Mills 50 will always be a timeless neighborhood (possibly one of the only ones). You can bike the long Mills Avenue stretch from
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by Mitch Foster
The SIGT family includes everyone we meet at shows. The “I” in Shows I Go To represents all of us. It’s
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by Jason Earle
My first love’s dad took music pretty seriously. The year was 1994 and he did not have time for the country radio hits I was
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by Ariel Rivera
I’ve been thinking a lot about the evolution of my music taste since I was young. I’m kind of at that weird age where I
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by Marvel Mills
I found out about Injury Reserve back in 2015 when their visual for “Everybody Knows” grabbed me through my PC. With a
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by Sarah Schumaker
The Drums feed my dark voice. It eats enough from my own gluttony but something about Jonny Pierces’ twisted side delves me
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by Sarah Schumaker
Surfer Blood takes The Social stage to an anxious crowd. It isn’t exactly a hometown show for the West Palm Beach natives,
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by Sarah Schumaker
I’m screaming behind my lens, Popular Manipulations got me through the end of summer and is effectively transitioning into
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by Sarah Schumaker
Paul Jason Klein commands the crowd at Backbooth last June of 2016. The young girls squished together on Pine St. oblige quite
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by Richie Williams
I first saw the the almighty Metallica at my first Bonnaroo experience in 2008. Fast forward nine years and the time
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by Ariel Rivera
I walk into The Social ecstatic and entirely intimidated at the idea of shooting my first show at a reputable Orlando venue.